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Georgian cinema has a long and glorious history, but what place does it occupy in the today’s world of cinematography? Which new movies from the Caucasus are worth seeing, from a professional’s viewpoint? Which cultural and social tendencies are now in the focus?

Today Caucasian Journal talks about cinema with award-winning director Giga (George) AGLADZE, renowned for films including “Henry” and “A Girl with Slides”.

Alexander KAFFKA, editor-in-chief of CJ: Dear George, thank you for attention to our readers. Recently Tbilisi dwellers were over excited with filming of “The Fast and the Furious” in Georgia. The place where I live is close to one of filming locations, so I noticed its huge scale and overall hype. With all respect to the Hollywood franchise, I wished I could witness a national production of same scale in the streets of Tbilisi, given Georgia’s own bright national cinema tradition. Or perhaps the glory days of Georgian cinema are gone, and the country must be happy selling its landscapes to foreign productions?

Giga AGLADZE: Greetings, and thank you for this question. Beyond doubt, Georgian cinema has the potential to produce films of this level. However, in my personal opinion, currently we don’t have experience that big, neither have we necessary wide market and duly trained film-making staff. Shooting big franchises like this is very helpful for Georgian film industry as they carry interesting experience for our staff involved in film-making and mark us in bold on the world map. This means that Hollywood producers will eventually reach out to Georgia more and more for film-making reasons and it makes fantastic opportunities for Georgian tourism, as well as for Georgian cinema and economy in the long run.

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